Congratulations to our following clients who have been nominated for Grammy Awards: Alex Lacamoire (Best Musical Theatre Album for DEAR EVAN HANSON) and Bill Charlap (Best Jazz Instrumental Album for UPTOWN, DOWNTOWN).

Jason Baruch speaks on a panel about acquiring music rights for a Broadway show as part of EASL’s Annual Music Business and Law Conference.

Jason Aylesworth teaches his CLE Program, “Preparation for Negotiation in Deal-making” at the Practicing Law Institute.

BWW Interview: Meet Broadway’s Top Legal Eagle, Mark Sendroff Billy Flynn might get all the attention, but Broadway’s real, go-to man of the law is Mark Sendroff. Sendroff started his law career at the firm of Bomser & Oppenheim in 1975 and moved to the firm of Gottlieb, Schiff, Ticktin & Sternklar in 1979, eventually becoming a partner until that firm’s dissolution in 1995, at which time he founded Sendroff & Associates, P.C. In January, 2007, he and Jason Baruch formed the current firm of Sendroff & Baruch, LLP. Now he represents countless Broadway productions, stage stars and entertainment personalities and he’s telling us all about how he ended up here and the current landscape of Broadway law. Click here to read the full article from BroadwayWorld.com

Jason Aylesworth teaches his CLE Program, “Preparation for Negotiation in Deal-making” at the Practicing Law Institute.

Congratulations to our following clients who won the 2017 Tony Award: Second Stage Theatre (Best Musical for DEAR EVAN HANSEN); Rachel Bay Jones (Best Performance by an Actress in a Featured Role in a Musical for DEAR EVAN HANSEN), Alex Lacamoire (Best Orchestrations for DEAR EVAN HANSEN); Eric Falkenstein (Best Revival of a Play for AUGUST WILSON’S JITNEY); The Araca Group (Best Revival of a Musical for HELLO, DOLLY!); Seth Goldstein (Best Revival of a Musical for HELLO, DOLLY!); Freddy DeMann (Best Musical for DEAR EVAN HANSEN); Scott Mauro (Best Musical for DEAR EVAN HANSEN) and Ron Simons (Best Revival of a Play for AUGUST WILSON’S JITNEY)..

Jason Baruch teaches his course “WHO GETS WHAT” about royalty pools/calculating royalties at the Commercial Theater Institute.

Congratulations to our following clients who were nominated for the 2017 Tony Award: Christine Ebersole (Best Performance by an Actress in a Leading Role in a Musical for WAR PAINT); Jordan Roth (Best Revival of Play for PRESENT LAUGHTER); Ars Nova (Best Musical for NATASHA, PIERRE & THE GREAT COMET OF 1812); Jujamcyn Theaters (Best Musical for GROUNDHOG DAY, Best Revival for a Musical for FALSETTOS and Best Revival of a Play for PRESENT LAUGHTER); Second Stage Theatre (Best Musical for DEAR EVAN HANSEN); Stephanie J. Block (Best Performance by an Actress in a Featured Role in a Musical for FALSETTOS); Rachel Bay Jones (Best Performance by an Actress in a Featured Role in a Musical for DEAR EVAN HANSEN), Howell Binkley (Best Lighting Design of a Musical for COME FROM AWAY); Larry Hochman (Best Orchestrations for HELLO, DOLLY!); Alex Lacamoire (Best Orchestrations for DEAR EVAN HANSEN); Eric Falkenstein (Best Revival of a Play for AUGUST WILSON’S JITNEY, Best Revival of a Play for PRESENT LAUGHTER and Best Revival of a Musical for HELLO, DOLLY!); The Araca Group (Best Musical for GROUNDHOG DAY and Best Revival of a Musical for HELLO, DOLLY!); Seth Goldstein (Best Play for A DOLL’S HOUSE, PART 2 and Best Revival of a Musical for HELLO, DOLLY!); Theater Mogul (Best Musical for GROUNDHOG DAY); Spencer Ross (Best Musical for COME FROM AWAY); Allan Detsky (Best Musical for COME FROM AWAY); Cynthia Stroum (Best Musical for COME FROM AWAY); Freddy DeMann (Best Musical for DEAR EVAN HANSEN); Tommy Mottola (Best Musical for GROUNDHOG DAY); Scott Mauro (Best Musical for DEAR EVAN HANSEN) and Ron Simons (Best Revival of a Play for AUGUST WILSON’S JITNEY).

Jason Baruch and Carter Anne McGowan teach the legal aspects of commercial theater production to a class at the intense weekend program at the Commercial Theater Institute