The Evolution Of Fair Use

Published on

November 17, 2018

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Written By:

Jason Aylesworth

Written By:

Sendroff & Baruch, _LLP.

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Written By:

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This article explores how recent court rulings have reaffirmed the power of the fair use defense in the theater industry, particularly in relation to parodies, projections, and derivative works. It highlights key cases, such as Campbell v. Acuff-Rose and Blanch v. Koons, and discusses how theater artists can navigate copyright concerns while creating transformative works.

Attribution

Jason Aylesworth is a partner at Sendroff & Baruch, LLP, and received the New York State Bar Association’s Outstanding Young Lawyer of the Year Award in 2016. He has been recognized by Super Lawyers since 2017, and he represents a wide variety of artists in theatre, music, film and television including dramatists, performers, directors, choreographers, orchestrators, arrangers, programmers and designers, as well as producers, filmmakers, music publishers and theatre companies. Jason resides with his family in Yonkers, where he proudly serves on the board of directors with the Yonkers Film Festival. Read more about Jason Aylesworth

Located in the heart of New York City’s Theatre District, Sendroff & Baruch, LLP is a boutique entertainment law firm representing an extensive roster of award-winning clients and properties. More about Sendroff & Baruch, LLP

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