Jason Baruch is a guest lecturer at Columbia University discussing “Who Would Want to Swim in This Royalty Pool” for Columbia students in the MFA Theater Management Program.

Congratulations to Alex Lacamoire, who received the first-of-its-kind Kennedy Center Honor award for HAMILTON, as one of the “trailblazing creators of a transformative work that defies category.”

Jason Baruch as co-chair of the Theatre and Performing Arts Committee of NYSBA’s Entertainment Arts & Sports Law (EASL) section assembles a team of writers to (including Sendroff & Baruch, LLP partner Jason Aylesworth) publish the article “30 Years Later – The Show Must Go On: Current Trends and Issues in the Theater Industry” in the EASL Law Journal to celebrate the 30th anniversary of EASL. Read More

Carter Anne McGowan speaks on the panel “Broadway Music Licensing” at the 2018 EASL Annual Music Business and Law Conference.

Jason Aylesworth teaches his CLE Program, “Preparation for Negotiation in Deal-making” at the Practicing Law Institute.

As production counsel for THE BAND’S VISIT, we congratulate Orin Wolf and the rest of the producing team on the show’s ten (10) 2018 Tony Award wins, including Best Musical. Congratulations also to our firm’s other 2018 Tony Award recipients: Jordan Roth, Jujamcyn Theaters and Barbara Whitman for ANGELS IN AMERICA (Best Revival of a Play), Witzend Productions for ONCE ON THIS ISLAND (Best Revival of a Musical), and La MaMa E.T.C., the recipients of the 2018 Regional Theatre Tony Award.

As production counsel for THE BAND’S VISIT, we congratulate Orin Wolf and the rest of the producing team on the show’s eleven (11) 2018 Tony Award nominations, including its nomination for Best Musical. As co-production counsel for SPONGEBOB SQUAREPANTS: THE MUSICAL, we congratulate Nickelodeon and the rest of the producing team on the show’s twelve (12) 2018 Tony Award nominations, including its nomination for Best Musical. We also extend our congratulations to our other producing clients: Jordan Roth, Jujamcyn Theaters and Barbara Whitman for ANGELS IN AMERICA (Best Revival of a Play), Eric Falkenstein for both EDWARD ALBEE’S THREE TALL WOMEN (Best Revival of a Play) and EUGENE O’NEILL’S THE ICEMAN COMETH (Best Revival of a Play), Christine Schwarzman for MEAN GIRLS (Best Musical), Witzend Productions for ONCE ON THIS ISLAND (Best Revival of a Musical); Julie Boardman for RODGERS AND HAMMERSTEIN’S CAROUSEL (Best Revival of a Musical). Finally, we congratulate Michael Starobin, who was nominated for Best Orchestrations for the musical revival of ONCE ON THIS ISLAND, and La MaMa E.T.C., the recipients of the 2018 Regional Theatre Tony Award.

Jason Baruch again puts on the intensive 2-night program, at which he also speaks, about the legal aspects of commercial theater producing. This 7-hour seminar is a joint program of EASL of the New York State Bar Association and the Commercial Theater Institute.

Jason Aylesworth teaches his CLE Program, “Intermediate Skills for Drafting Commercial Contracts: Turning a Good Agreement into an Exceptional One” at the New York City Bar Association.

Jason Aylesworth speaks on a panel for the “Content for Projections: Legal and Ethical Projection Design” program at the 58th Annual United States Institute for Theatre Technology (USITT) conference in Fort Lauderdale, Florida.

Jason Baruch teaches his Royalty Pool program at the Commercial Theater Institute as part of CTI’s intensive 14-week program

Jason Aylesworth teaches his CLE Program, “Preparation for Negotiation in Deal-making” at the Practicing Law Institute.

Jason Aylesworth teaches his CLE Program, “Basics of Drafting Commercial Contracts: Translating the Meeting of the Minds into a Tangible Agreement” at the New York City Bar Association.