Jason Baruch is a guest speaker at Volunteer Lawyers for the Arts teaching the legal issues surrounding commercial theater productions.

Jason Baruch is a panelist at The Broadway League’s The Evolution off the Authors Contract and Where It Is Going with producer Robert Cole and general manager Nina Essman.

Jason Baruch teaches his Who Gets What royalty class to students of the Commercial Theater Institute.

Jason Baruch is a panelist at EASL’s fall meeting called Money In, Money Out: Deal Terms and Waterfalls, discussing financial structuring for commercial theater productions.

Jason Baruch teaches U.S. fundraising fundamentals and legal requirements to U.K. producers participating in Columbia University’s Stage One Exchange Program.

Congratulations to our client, Alex Lacamoire, who won the 2019 Emmy Award for Outstanding Music Direction in the episode “Life is a Cabaret” of the miniseries FOSSE/VERDON.

Congratulations to our client, Alex Lacamoire, who received an Emmy nomination for Outstanding Music Direction in the episode “Life is a Cabaret” of the miniseries FOSSE/VERDON.

Congratulations to our following clients who won the 2019 Tony Award: Bob Mackie (Costume Designer of THE CHER SHOW), Nevin Steinberg (Co-Sound Designer of HADESTOWN), Michael Chorney and Todd Sickafoose (Orchestrators of HADESTOWN), Stephanie J. Block (Best Actress, THE CHER SHOW), Christine Schwartzman for HADESTOWN (Best Musical) and Bard Fisher for RODGERS & HAMMERSTEIN’S OKLAHOMA! (Best Revival of a Musical).

Congratulations to our clients who have been recognized with a TONY Award nomination this morning: Bob Mackie (Costume Designer of THE CHER SHOW), Howell Binkley (Lighting Designer of AIN’T TOO PROUD), Nevin Steinberg (Co-Sound Designer of HADESTOWN), Larry Hochman (Orchestrator of KISS ME KATE), Michael Chorney and Todd Sickafoose (Orchestrators of HADESTOWN), Des McAnuff (Director of AIN’T TOO PROUD) and Stephanie J. Block (Best Actress, THE CHER SHOW). As production counsel for BURN THIS, we congratulate David Binder and the rest of the producing team on the show’s nomination for Best Revival of a Play. We also congratulate David on his nomination for AIN’T TOO PROUD (Best Musical). Finally, we extend our congratulations to our other producing clients: Christine Schwartzman for GARY: A SEQUEL TO TITUS ANDRONICUS (Best Play), AIN’T TOO PROUD (Best Musical) BEETLEJUICE (Best Musical) and HADESTOWN (Best Musical), Scott Mauro for BEETLEJUICE (Best Musical) and TOOTSIE (Best Musical), Seth A. Goldstein for THE PROM (Best Musical) and Bard Fisher for RODGERS & HAMMERSTEIN’S OKLAHOMA! (Best Revival of a Musical).

Congratulations to our client, Jason Michael Webb, recipient of the 2019 honorary Special Tony Award for his musical arrangements in Manhattan Theatre Club’s Tony-nominated production of CHOIR BOY.

Congratulations to our client, Michael McElroy, whose company Broadway Inspirational Voices is one of the recipients of the 2019 Tony Honors for Excellence in Theatre.

Jason Baruch organizes and leads for the 8th year in a row a 2-night deep-dive discussion of the legal aspects of commercial theater producing, a joint CLE program of the NYSBA’s EASL Section and CTI.

Jason Aylesworth teaches his CLE Program, “Intermediate Skills for Drafting Commercial Contracts: Turning a Good Agreement into an Exceptional One” at the New York City Bar Association.

Jason Aylesworth serves as one of the judges for the Cardozo Intraschool Negotiation Competition.

CTI presents its intensive 3-day course on theater producing, at which Jason Baruch and Jason Aylesworth discuss the legal aspects of commercial theater producing with a focus on offering documents for Broadway producers.

Jason Baruch is a guest speaker at the Fordham Law Symposium discussing the impact of new technologies on the theater industry and the unique aspects of practicing theater law.

Congratulations to our client Alex Lacamoire, on winning the Grammy Award for Best Compilation Soundtrack for Visual Media for THE GREATEST SHOWMAN.

Congratulations to our clients, Marc Shaiman and Scott Wittman, who received Oscar nominations for their work on MARY POPPINS RETURNS (Marc Shaiman for Best Score, and both Marc Shaiman and Scott Wittman for Best Original Song [“The Place Where Lost Things Go”]).

Jason Aylesworth teaches his CLE Program, “Basics of Drafting Commercial Contracts: Translating the Meeting of the Minds into a Tangible Agreement” at the New York City Bar Association.