Congratulations to our following clients who were nominated for 56th Annual Grammy Awards: Stephen Oremus (Best Musical Theatre Album for KINKY BOOTS), Sammy James, Jr. (Best Musical Theatre Album for KINKY BOOTS) and Ethan Popp (Best Musical Theatre Album for MOTOWN).
Jason Aylesworth and Norman Solovay taught Simeon Baum’s CLE Program, “Negotiation Skills – For Deals, Disputes & Mediation” at the Practicing Law Institute.
Jason Aylesworth was named Chair of the newly formed Law Student Liaison Committee for the Entertainment, Arts and Sports Law section of the New York State Bar Association.
Jason Aylesworth and Norman Solovay taught Simeon Baum’s CLE Program, “Negotiation Skills – For Deals, Disputes & Mediation” at the Practicing Law Institute.
Congratulations to our following clients who were nominated for the 2013 Emmy Award: Marc Shaiman and Scott Wittman (Outstanding Music and Lyrics for the song “Hang the Moon” for SMASH) and Jason Williams (Outstanding Informational Series or Special for BRAIN GAMES).
Jason Aylesworth spoke about business and intellectual property practices in musical theatre on a panel for “Legal Issues for the Chinese Arts Delegation” at New York Foundation for the Arts.
Jason Baruch taught a class of Commercial Theatre Institute students about royalty pools for the June, 2013 “Who Gets What?” course.
Congratulations to our firm’s 2013 Tony Award recipients: Jerry Mitchell (Best Choreography for KINKY BOOTS), Jujamcyn Theatres (Best Musical for KINKY BOOTS), Stephen Oremus (Best Orchestrations of a Musical for KINKY BOOTS), Andrea Martin (Best Performance by an Actress in a Featured Role in a Musical for PIPPIN), Broadway Across America (Best Revival of a Musical for PIPPIN) and Ron Simons (Best Play for VANYA AND SONYA AND MASHA AND SPIKE).
Jason Aylesworth co-chaired EASL’s 25th Anniversary Celebration held at the Warwick Hotel and 54 Below.
Congratulations to our following 17 clients who were nominated for the 2013 Tony Award: Jerry Mitchell (Best Direction of a Musical for KINKY BOOTS; Best Choreography for KINKY BOOTS), Jujamcyn Theatres (Best Musical for KINKY BOOTS), Stephen Oremus (Best Orchestrations of a Musical for KINKY BOOTS), Andrea Martin (Best Performance by an Actress in a Featured Role in a Musical for PIPPIN), Broadway Across America (Best Revival of a Musical for PIPPIN), Ron Simons (Best Play for VANYA AND SONYA AND MASHA AND SPIKE), Gerald Goehring (Best Musical for A CHRISTMAS STORY), Michael Filerman (Best Musical for A CHRISTMAS STORY), Holland Taylor (Best Performance by an Actress in a Leading Role in a Play for ANN), Stephanie J. Block (Best Performance by an Actress in a Leading Role in a Musical for THE MYSTERY OF EDWIN DROOD), Andy Blankenbuehler (Best Choreography for BRING IT ON: THE MUSICAL), Ethan Popp (Best Orchestrations for MOTOWN THE MUSICAL), Bryan Crook (Best Orchestrations for MOTOWN THE MUSICAL), Danny Troob (Best Orchestrations for RODGERS + HAMMERSTEIN’S CINDERELLA), Anna Louizos (Best Scenic Design of a Musical for THE MYSTERY OF EDWIN DROOD), Nevin Steinberg (Best Sound Design of a Musical for RODGERS + HAMMERSTEIN’S CINDERELLA) and Jonathan Deans (Best Sound Design of a Musical for PIPPIN).
Jason Baruch organized, taught and moderated a special two-night joint program of the EASL Section of the New York State Bar Association and the Commercial Theatre Institute called “Legal Aspects of Producing: An Inside Approach to Navigate the Theatrical World.” This was the second joint program between EASL and CTI.
Jason Baruch’s article “Exit Stage Left, Enter Stage Right: Theater Trends Over the Past 25 Years” and Jason Aylesworth’s articles “Mediation in Film, Television, Art and Real Life” and “The Childlike Novelty of Video Games, and Its Serious Progeny of Legal Challenges for Adults” were published in the Spring 2013 publication “Entertainment, Arts and Sports Law Journal.” Copies may also be found on this website.
Jason Baruch taught his “Who Gets What?” course about royalty pools at the Commercial Theater Institute.
