Congratulations to our following clients who were nominated for the 65th Annual Grammy Awards: Jason Robert Brown, Jeffrey Lesser and Randy Graff (Best Musical Theatre Album for MR. SATURDAY NIGHT) and Jason Michael Webb (Best Musical Theatre Album for MJ THE MUSICAL).
Best Lawyers® names Jason Baruch “Lawyer of the Year 2023” for his work in theater. This award is given to a single attorney in a given practice area based on a survey of that attorney’s peers.
As production counsel for A STRANGE LOOP, we congratulate Barbara Whitman and the rest of the producing team on the show’s Tony Award wins, including Best Musical. We also extend our congratulations to our other producing clients who have won the 2022 Tony Award: Jujamcyn Theaters for COMPANY (Best Revival of a Musical), Seth A. Goldstein and No Guarantees LLC for THE LEHMAN TRILOGY (Best Revival of a Play), and Paul Oakley Stovall for A STRANGE LOOP.
Jason Aylesworth teaches the sixth installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
Jason Aylesworth teaches the fifth installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
Congratulations to our clients who have been nominated for the 2022 TONY Award.
As production counsel for the Pulitzer-winning musical A STRANGE LOOP, we congratulate Barbara Whitman and the rest of the producing team on the show’s eleven (11) 2022 Tony Award nominations (the most this year, including its nomination for Best Musical). In addition, we also congratulate Jason Robert Brown and Jason Howland who were nominated as composers of the Best Original Score for the musicals MR. SATURDAY NIGHT and PARADISE SQUARE, respectively, as well Jason Michael Webb who was nominated for Best Orchestrations in the musical MJ.
We also extend our congratulations to our other producing clients: CJ ENM, Michael Cassel Group and Sony for MJ (Best Musical); The Dodgers and Tommy Mottola for GIRL FROM THE NORTH COUNTRY (Best Musical), Berkeley Rep for PARADISE SQUARE (Best Musical), Paul Oakley Stovall for A STRANGE LOOP, Spencer Ross for THE MINUTES (Best Play) and AMERICAN BUFFALO (Best Revival of a Play), Brian Moreland for AMERICAN BUFFALO, Seth A. Goldstein and No Guarantees LLC for THE LEHMAN TRILOGY (Best Revival of a Play), and Jujamcyn Theaters for COMPANY (Best Revival of a Musical).
Jason Aylesworth teaches the fourth installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
Carter Anne McGowan is a guest lecture in Prof. Robert Miller’s “Deals” seminar at University of Iowa Law School.
Jason Baruch participates in a CLE panel discussion hosted by the New York University Law School Journal of Intellectual Property and Entertainment Law (JIPEL) about the return of Broadway in the Age of Coronavirus, and the proliferation of so-called “live capture” and streaming productions of stage plays, with fellow panelists Brian Yates, Meredith Bennett, Patrick Herold and Stefan Schick.
Jason Aylesworth teaches his program, “Things That Make You Go Hmmm: C(opyright)+C(contract) Law Factory” as part of House of Europe’s International Songwriting Project, hosted by the Vienna Music Institute’s Conservatory of Contemporary Music.
Jason Aylesworth teaches the third installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
Jason Aylesworth teaches the second installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
Jason Aylesworth presents a program on copyright law and music to the faculty at Dwight-Englewood School.
Jason Aylesworth teaches the first installment of his Six-Part Lunchtime CLE Series “Drafting Commercial Contracts” for the New York City Bar Association.
